Product: Star Wars: Episode III - Revenge of the Sith
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I have often notion upon viewing the prequel trilogy, the intervening years between the recent and the unique. To be definite, most of the criticisms of the fresh trilogy are adult in nature. We grunt ill of wooden dialogue and acting, convoluted storylines, and themes that aren’t just to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the get of whining to my folks that I couldn’t witness it again and again and again.

My point is this: George Lucas has his flaws, most of which are related to him being out of the director’s chair for more than 20 years before embarking on his unique trilogy toy, but I reflect, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the record backwards, to boot!) demonstrates the man’s substantial talents. Perfect? Far from it, but damned exciting, nonetheless.

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Which brings me to the crown jewel of the prequel trilogy. “Revenge of the Sith” is the second best film of all six, ranking only slow “The Empire Strikes Succor” in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a toddle that doesn’t allow you to rep your breath. Hayden Christiansan, for the most share, owns this role, displaying an adult gravity he was unable to explain in the dramatically clunky “Attack of the Clones” The rage, frustration, and panic contrasted with Anakin’s heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story’s preordained outcome.

The special effects, as usual, are outstanding, but for the most fraction relieve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their intelligent fresh toys, but in this film there is a more concrete sense of purpose.

Dramatically the film belongs to Ian McDiarmid. His performance creates the fair balance of charm and villiany and by doing so makes Anakin’s turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the immense dramatic highpoints of any of the six movies.

As for the flaws: positive, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin’s turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side impress, Portman is a terrific actress, but was, in this humble reviewer’s understanding, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)

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The one allotment to which I didn’t object that seemed to be the bane of many Star Wars fans is the scene engaging the birth of Vader. I liked the allusions to “Frankenstein” for that is what Vader’s sage eventually becomes in the following trilogy: a search for his humanity, worthy like Mary Shelley’s creation.

I also didn’t have a plight with Vader’s reaction to the fact he’d caused Padme’s death. You have to remember that, despite the fact that he now has James Earl Jones’ booming drawl, he’s smooth Anakin and quiet very young. It does sound unfamiliar, I admit, but it’s mild completely in character. You also have to remember that Darth Vader will have a advantageous 20 to 25 years to complete his transformation into the frigid, remorseless killing machine we approach to know and care for in Episode IV.

In all, “Revenge of the Sith” does a terrific job of tying things together in a manner that harkens support to when I was a child watching Star Wars for the first time. It’s impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes cessation. It is a pretty allotment of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.

I never really understood what was so enormous about the Star Wars movies when I was growing up. I was born after the originals were released, so I was never a fragment of that “culture” that Star Wars is. I saw them when I was around 13 or 14 and fell asleep before the raze of all three. I never had the desire to really notice them again until Phantom Menace came out. I didn’t observe it in theaters, but I watched it, liked it, and waited for the next one to advance out. I liked Episode II a lot better (I have to admit that half of that appreciation is because I like Haydn), but I smooth didn’t really “accumulate” Star Wars. Well, I saw the triler for the third film, and I view it looked really beneficial. I also understanding it was going to be dismal, but I didn’t realize that I was going to sob all the blueprint home from the movie theater! After the experience of seeing Episode III, I now finally understand what Star Wars is all about, and I admire it! This movie perfectly ties the two trilogies together. It is so emotionally great. I know a lot of people say that George Lucas can’t write diologue and can’t sigh anything but action scenes, but I completely disagree. Though some lines are a bit corny, each scene is treated with a gigantic amount of care and sets up your emotions so that you react to clear dark cercumstances (I’m distinct you know what I’m refering to) in a very personal device. I have watched all three of the first series since seeing Episode III, and I enjoy them so mighty, because now I understand!
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